| LEADER : 00000nam 2200000uu 4500 |
| 008 191112s2017||||th 000 0 eng d |
| 020 ^a9780262035958 |
| 020 ^a9789814722513 |
| 050 4 ^aN7321^b.T44 2017 |
| 099 ^aDBTM |
| 100 1 ^aTeh, David |
| 245 10 ^aThai art :^bcurrencies of the contemporary /^cDavid Teh |
| 246 30 ^aCurrencies of the contemporary |
| 260 ^aSingapore :^bNUS Press ;^aCambridge, Massachusetts :^bThe MIT Press,^cc2017 |
| 300 ^axvi, 274 p. :^bcol. ill. ;^c24 cm |
| 504 ^aIncludes bibliographical references and index |
| 505 0 ^aTravelling without moving : historicizing Thai contemporary art -- Unstable currencies : art and the politics of sufficiency -- Nirat : distance, itinerancy and homesickness as a spatial logic -- Baramee : Thai relational art and the ethics of withdrawal -- Unframing the nation : parergon and radical allegory -- The preter- national : the Southeast Asian contemporary and what haunts it |
| 520 ^aThis book fills a resounding silence: it tells a story,as yet unknown, of great significance to the understandingof non-Western contemporary art in global circulation. Since the 1990s, Thai contemporary art has achieved remarkable international visibility, with a host of Thai artists winning critical acclaim and recognition at leading institutions. For the past 25 years, not a single art historical monograph on the subject has been published,nor even a volume of essays. Not since 1992, when Apinan Poshyanandas Modern Art in Thailand was published, has there been any serious study of Thai art. This book is notonly a long overdue update on Thai art since that time, but it is the first book to identify new vectors for its historicisation in cultural and media histories, anthropology, and the growing discourses of exhibition- making and contemporaneity. It affords rare critical purchase on the awkwardly overlapping frames through whichThai contemporary art has been exhibited, understood, and valued^" |
| 650 0 ^aArt, Thai^y21st century |
| 650 0 ^aArt, Thai |
| 999 ^aปวีนา ภู่ทอง |
แสดงรายละเอียดบรรณานุกรม
< ปิดหน้าต่าง
ขอยืม
