LEADER : 00000nam 2200000uu 4500 |
008 180607s2006||||th 000 0 eng d |
020 ^a9781405102605 (v. 2 : pbk.) |
050 00 ^aNA2500^b.A7115 2006 |
245 00 ^aArchitectural theory /^cedited by Harry Francis Mallgrave |
260 ^aMalden, Mass. :^bBlackwell Pub.,^c2006- |
300 ^av. :^bill. ;^c26 cm |
504 ^aIncludes bibliographical references and index |
505 1 ^av. 1. An anthology from Vitruvius to 1870. (pt. I.Classicism and the Renaissance. A. The classical and medieval traditions. B. Renaissance and Baroque ideals. pt. II. Classicism in France and Britain. A. French Classicism: ancients and moderns. B. British Classicism and Palladianism. pt. III. Neoclassicism and the enlightenment. A. Early Neoclassicism. B. Greece and the Classical ideal. pt. IV. Theories of the Picturesque and the Sublime. A. Sources of the Picturesque. B. Toward a relativist Aesthetics. C. Consolidation of Picturesque theory. pt. V. The rise of historicism in the nineteenth century. A. Challenges to classicism in France, 1802-34. B. The Gothic revival in Britain, Germany, and France. C. The German style debate. D. The rise of American theory. pt. VI: Historicism in the Industrial Age. A. The battle of the styles in Britain. B. Rationalism, Eclecticism, andRealism in France. C. Tectonics and style in Germany.) -- v. 2. An anthogy from 1872 to 2005; An anthology from 1871to 2005 (pt. I. Early modernism. A. The arts and crafts movement in Great Britain. B. Continental reforms. C. Reforms in the United States. D. Conceptual underpinnings of German modernism : space, form, and realism. pt. II. The formation of the modern movement : 1894-tionalism and the IAUS. B. Semiotics and phenomenology. C. Alternative strategies and debates. pt. VIII. The 1980s. A. Poststructuralism and deconstruction. B. Postmodernism andhistoricism. C. Regionalism and traditionalism. pt. IX. Millennial tensions. A. Tectonics and geometry. B. The endof theory? C. Beyond the new millennium.) |
650 0 ^aArchitecture^xPhilosophy |
700 1 ^aMallgrave, Harry Francis |
999 ^aปวีนา ภู่ทอง |